TRAVIS BYRAM'S MOVIE REVIEWS

The importance of a film's opening scene can't be stressed enough. In my favorite film, which most people watch around this time in the holidays, It's a Wonderful Life , we see a slew of people in the wee town of Bedford Falls praying for the life of George Bailey. Immediately know something is wrong, that the film will tote a sentimental sentiment, and who is George and why does he need these prayers? A great opening scene should ask all of those questions...and in Nocturnal Animals  you will have a lot of questions, and it's not indicative of the movie you are about to watch. Please don't Google it, and, review spoiler alert, I liked this movie a lot, so I encourage you to go see it. I want to say Ford wanted to be sensationalistic but it doesn't fit with the theme. It must be experienced, with a crowd as full as many people as you can, so you can all collectively stew in the awkwardness. The movie actually revolves around Susan, played by Amy Adams, who rec...

Something bothered me right before I watched Denis Villeneuve's new film  Arrival : the trailer to the upcoming sci-fi flick Passengers . It's a film I've been anticipating for quite some time, and perhaps I'm going in with blind admiration for it's two leads, Jennifer Lawrence and Chris Pratt, the current gods of movies. The trailer hooked me; these two in a spaceship already promised my butt in the seat. But then it kept going, revealing more and more about the plot that I would have gladly wanted to find out when I was seeing it for the first time. Hollywood trailers revealing too much gets enough publicity though...the ones that don't need more press for the ones that do to not succeed. The marketing for Arrival was perfect: it revealed the most sensational, attention-grabbing aspect of its product (an alien invasion) but gave you no more, and no less. So when you see Arrival , don't come expecting Independence Day 3 , expect a quiet, somber exercise in ...

It seems like people are always facing off in Zack Snyder films. With 300 , it was the Spartans v. the Persians. With Watchmen it was a batch of old superheroes against the effects of time. With Man of Steel , he pitted Kal-El against the insanity of General Zod (though some could argue Michael Shannon didn't realize he was in a Superman movie and the cameras kept rolling). And with Batman v Superman , Snyder is dramatizing the ultimate battle: himself v. the source material v. the studios v. setting up a franchise v. fans' expectations v. making a coherent blockbuster (in March?!) that additionally serves as a sequel to Man of Steel v. establishing a new Batman. Oh and Wonder Woman's in it. And Lex Luthor. And Holly Hunter? Spoiler alert: I'm afraid Snyder lost this fight. I was initially very disappointed walking out of the film, thinking of the things they could have cut, other heroes they could've introduced (how many times do we have to see Lex Luthor onscree...

The Golden Globe, SAG Awards and Critics Choice Awards have all gone nuts over a little David O. Russell picture called "American Hustle." Exceppt for Jeremy Renner, there isn't a cast member among those Big 3 that hasn't been up for something, probably taking into account that Renner's character, Carmine Polito, is the most upright/righteous among this stellar cast of rather deceptive con folk. So here's my job, to deliver to you good people: is "American Hustle" worth the hype, and the rivalry status it has against "12 Years a Slave" for the Best Picture race this January? In a word, no. "American Hustle" is the more entertaining of the two, obviously, but it's nowhere near as accessible as director David O. Russell's proceeding, realistically charming romantic dramedy "Silver Linings Playbook." Its setting is the polyester, toupee, plunging neckline world of the 1970s. If "Hustle" and Russell did o...

There are a couple of items to address before going into my review of the highly anticipated "Man of Steel." The first is to pay respects to an actor who's passed, the incomparable James Gandolfini. I didn't have the privilege of watching "The Sopranos," but I thoroughly enjoyed his supporting work in "The Taking of Pelham 1 2  3" and "Zero Dark Thirty." He was a familiar face that'll be missed in the community, and a TV legend in his own right. Second, I haven't written in the blog in a long time; I've been working on a short film with several friends that I wrote and co-starred in, so I've spent a lot of time on that, and will post it as soon as filming completes! Now on to the review: I'd heard polarizing things on this superhero blockbuster, and none of them assured me I was going to love it. I'd listened to mostly good buzz about "Iron Man 3," with raves from my peers in high school, but that obv...