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Showing posts with the label Three Billboards Outside Ebbing Missouri

OSCAR PREDICTIONS 2018!

Why beat around the bush! Let's dive right in... BEST ADAPTED SCREENPLAY: ( Call Me by Your Name , The Disaster Artist , Logan , Molly's Game , Mudbound ) I think Disaster Artist's nod here is more because it's a great concept, but the movie is pretty predictable as far as buddy pictures go. It's Franco who should've been up for playing Wiseau, but if the accusations against him are true, I'll feel a lot better letting this snub slide. All the nerds rejoiced when we heard Logan announced, but Call Me by Your Name is the clear winner here. It's slyly subtle dialogue hooks you in, and devastated you/makes you cheer in equal parts. Molly's Game is unbridled Sorkin goodness, and pretty underrated if you ask me, but CMBYN will walk away with the trophy. BEST ORIGINAL SCREENPLAY: ( The Big Sick , Get Out , Lady Bird , The Shape of Water , Three Billboards Outside Ebbing, Missouri ) These movies are being recognized for being outstanding, fresh exam...

MY TOP 5 FAVORITE FILMS OF 2017!

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My New Years resolution? Pay more attention to this blog! If you look back on the posts, there's a six month gap between my Oscar predictions and my first review of the year, July's All Eyez on Me (which actually does make a spot one of these lists below). I'm going to be probably stepping away from the predictions this year. A friend of mine has sparked my interest in creating a YouTube channel where I can post reviews, not necessarily like the ones on this blog, but I'll keep y'all updated. This list was intentionally late, because I wanted to make sure I saw all of the films that I wanted to to make the best possible list. My last semester of college starts tomorrow, and I'm confident I saw all of the 2017 movies that I really wanted to. Though it pains me to exclude films I've loved like LEGO Batman , The Big Sick and Mudbound , I wish you all a productive 2017 and hope 2018 has even better cinema to come! 5. LOGAN LUCKY A complete left-field surp...

REVIEW: THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

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Despite its seemingly straightforward title, Martin McDonagh's new masterpiece doesn't take place in Ebbing, Missouri. It takes place in a slightly alternative world, where everybody is just slightly meaner to one another, slightly more profane in their vocabulary, but is simultaneously slightly smarter than any dialogue you're likely to hear in a movie this year. I call it "McDonaghland," and you should buy your tickets for admission ASAP, because Three Billboards is so far my favorite movie of the year. It may not reach the heights of McDonagh's directorial debut, In Bruges , which I still hold as one of the finest scripts ever produced, but boy does Three Billboards soar. It has the simplest of premises: Mildred Hayes (Frances McDormand), unsatisfied with the police investigation of the rape and death of her daughter, buys three billboards worth of space to call out the Ebbing police force, singling out Chief William Willoughby (Woody Harrelson) by name. ...